Track Screen
Each of the 8 channels has one insert effect with two hex parameters (P1/P2), applied after the channel's instrument and before the mix. Below that sit the two global send buses, reverb and delay, shared by every instrument via their SEND A / SEND B levels.
Insert FX
| Code | Effect | P1 | P2 |
|---|---|---|---|
DRIV |
Drive/clip | Gain, ×1–12 | Output level, 25%–100% |
CRSH |
Bitcrush | Bit depth, 16 down to 1 — higher P1 means fewer bits, the opposite of most controls | Rate divisor, 1–64 |
CHOR |
Chorus | Rate, 0.1–4 Hz | Depth (tap spacing, 8–30 ms) |
DELY |
Delay | Time, 10 ms–1 s | Feedback, 0–90% |
FLNG |
Flanger | Rate, 0.05–2 Hz | Feedback, 0–85% |
PHAS |
Phaser | Rate, 0.05–3 Hz | Feedback, 0–80% |
LPF |
Low-pass filter | Cutoff, 20 Hz–14 kHz | Resonance |
HPF |
High-pass filter | Cutoff, 20 Hz–14 kHz | Resonance |
SAT |
Tape saturation | Drive amount | Tone (HF rolloff, 2–16 kHz) |
Default parameters are 80/40 for any newly-selected effect. B resets the whole row (effect type and both parameters) back to ---- and defaults, not just the highlighted field!
Send buses
- Bus A (Diffusion reverb): TIME, DAMP.
- Bus B (Delay): feedback (FDBK, up to 92%), plus a FREE / SYNC
toggle for the delay time:
- FREE: TIME is a free-running knob (
00–FF, roughly 20 ms–1.2 s). - SYNC: delay time is set as a musical fraction of a bar, N/D, where N is the numerator (1–8, adjusted with A+←→) and D cycles through
32, 16, 16·, 8, 8·, 4, 4·, 2, 2·, 1with A+↑↓. The·suffix is a dotted value (1.5× duration). Example:1/4= one beat;1/8·= a dotted eighth. Delay time updates in real time when BPM changes.
- FREE: TIME is a free-running knob (
The delay bus feeds back into itself with some cross-channel mixing for a wide, "ping-pong-ish" spread rather than a strict hard-left/hard-right bounce.
Per-instrument send levels are set in the SEND A / SEND B fields on the Instrument screen, or "live" via the SDA / SDB phrase commands.